The Daily Whatever Show: Culture

We’re Dana DuBois and Lawrence Winnerman, lifelong BFFs and co-hosts of The Daily Whatever Show — our independent home for smart, irreverent conversations about culture, politics, media, creativity, relationships, aging, and whatever else is shaping modern life this week.

We’re live every weekday at 10am ET with thoughtful analysis, sharp interviews, cultural commentary, humor, and the kind of conversations that don’t pretend everything is fine when it clearly isn’t.

If you’re enjoying what we’re building, please consider supporting our work with a paid subscription. Your support helps us keep the show independent, book fascinating guests, and continue creating smart conversations with your morning coffee.

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TDWS: Feminist Killjoys, Reporting for Duty

Dana DuBois — Fri, 12 Jun 2026 01:18:34 GMT

Fine Feminist Hour brought together two of my favorite feminist voices on Substack: Zulfina of and of Bitchy History.

What started as a conversation about feminism in 2026 quickly expanded into a discussion about patriarchy, gender studies, reproductive rights, media representation, online misogyny, and why the word feminist still makes some people so uncomfortable. We talked about everything from medical dramas and abortion storylines to the persistence of gender-based violence and the ways anti-feminist movements are repackaging old ideas in new language.

Mostly, though, this was a conversation about refusing to surrender the word feminism—or the fight for a more equitable world. Today’s show was smart, funny, thought-provoking, and exactly the kind of discussion I wish more people were having.

Please go support these brilliant creators—and go buy an amazing t-shirt or two from Meredith’s Teepublic shop. They even come in women’s cut styles!

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The Daily Whatever Show: Dana, Dana, Dana! (And Lawrence)

The Daily Whatever Show — Thu, 11 Jun 2026 01:13:27 GMT

We had a wonderful time chatting with and , two amazing writers who we met during our show back in May—so yes, this is all Jane’s fault. And we couldn’t be happier about it!

Have a listen, and be sure to subscribe to these two.

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The Daily Whatever Show: What We're Working On AMA

The Daily Whatever Show — Wed, 10 Jun 2026 00:29:07 GMT

Thank you , , , , , and many others for tuning into my live video with and ! Join me for my next live video in the app.

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TDWS: Fine Feminist Hour with Julie Roginsky

The Daily Whatever Show — Fri, 05 Jun 2026 05:33:36 GMT

Our friend returned to for Fine Feminist Hour for a powerful and deeply personal conversation about the hidden costs of workplace silencing. Drawing from her own experiences at Fox News and in politics, Julie shared how nondisclosure agreements can prevent survivors and witnesses from speaking openly about harassment, assault, and retaliation.

We talked about the origins of Lift Our Voices, the nonprofit she co-founded with Gretchen Carlson to end the use of NDAs and forced arbitration in cases of workplace misconduct. Along the way, Julie reflected on power, accountability, feminism, and the long road toward meaningful change.

Be especially sure to check out their new LOV AI tool, a “first of its kind contract reader that lets you know if you’re being silenced at work.” Finally, an AI tool that’s unquestionably doing more good than harm.

The show was, in a word, incredible, and equal parts infuriating, illuminating, and inspiring—a reminder that progress often begins when someone decides the truth is worth fighting for.

Here are some of the unsung women heroes Julie mentioned during the broadcast:

Ifeoma Ozoma: Spearheaded the California Silenced No More Act
Katie Brennan: NJ survivor who inspired the federal Speak Out Act
Zelda Perkins: Weinstein survivor who founded Can’t Buy My Silence and passed the NDA ban in the UK

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The Daily Whatever Show Celebrates Rosie the Resister

Lawrence Winnerman — Thu, 04 Jun 2026 01:48:29 GMT

Rosie Wheeler—better known to many of us as —joined TDWS for what will likely be her final public conversation. She’s terminally ill, and reached out to ask if she could come on our show one last time, to say goodbye.

Of course, we said yes.

And somehow, despite the sadness hanging over the occasion, what emerged was a remarkably beautiful hour.

We talked about journalism, resistance, billionaires, Christian nationalism, and the unfinished work of protecting democracy. But the conversation kept returning to something deeper: Rosie shared stories about her children and grandchildren, her final Mother’s Day, the letters she’s writing for her family, and the strange gift of having the chance to say goodbye.

She showed us how to face the end of a life with honesty and grace.

And most of all, she reminded us that the work continues—that the torch gets passed, not dropped.

It was an extraordinary act of generosity from a remarkable woman. We love you, Rosie, and we’re so honored to have had this hour with you. We promise the torch is safe with us.

Thank you , , , , , and many others for tuning in, and to and for moderating with such grace.

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The Daily Whatever Show: Our Summer Vacation AUA (Ask Us Anything)

The Daily Whatever Show — Wed, 03 Jun 2026 02:06:50 GMT

The Daily Whatever Show spent the morning talking about summer vacation—not as an ending, but as a deliberate pause.

After fifteen months of broadcasting five days a week, Lawrence and I shared our decision to shift into summer mode, with Effed-up Friday continuing while the rest of the schedule takes a seasonal break. The conversation wasn’t really about taking time off. It was about making room for what’s next.

The most moving part of the conversation centered on tomorrow’s guest, , who’s terminally ill and asked to join us for what may be her final public conversation. It was a reminder that community matters, that our time is finite, and that sometimes the most important thing we can do is show up for one another while we can.

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Saturdays for Sanity

The Daily Whatever Show — Sat, 30 May 2026 20:24:09 GMT

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You Cannot Build Community by Starving the Creators

Dana DuBois — Wed, 27 May 2026 12:02:18 GMT

joined and within about five minutes had both and me openly questioning every self-sacrificing creative instinct we’ve carried since GenX childhood.

What started as a conversation about Nicole dethroning Andrew Tate on the Substack bestseller list quickly became something much bigger: reinvention, corporate burnout, creator economics, side hustles, money trauma, patriarchy, and why so many smart, talented people — especially women — have been conditioned to undervalue their own work.

Nicole told the story of realizing, while working inside corporate America, that no amount of hard work was ever going to put her on the same playing field as the men at the top. So she quietly built her own business on the side, quit during a Periscope live (remember Periscope??) so she couldn’t back out, and became a millionaire within months by applying the exact same business skills she’d been using to enrich someone else’s company.

But the emotional center of the conversation landed somewhere else entirely.

We started talking about creative labor. About building community-driven work out of love while quietly starving the people creating it. About the strange shame many GenX creatives still carry around asking to be paid. About how many of us were taught that monetization somehow contaminates authenticity.

And then Nicole basically staged an intervention live on air for Lawrence and me.

She pointed out that TDWS has spent a year building community, relationships, emotional support, conversation, consistency, visibility, and connection because both of us have been operating from this deeply ingrained belief that asking directly for financial support somehow makes the work less pure.

Watching the audience immediately respond in the comments — literally typing “yes” and “1” over and over when Nicole asked whether they’d support the show financially — genuinely cracked something open in both of us. Not because it suddenly became “about money,” but because it reframed support itself. People weren’t reacting like they were being sold to. They were reacting like they wanted the thing they love to survive.

One of the most clarifying TDWS conversations we’ve had in a long time.

If you’d like to work with Nicole, you can submit a request here.

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TDWS: Fine Feminist Hour with Dana DuBois & Guest Dr. Yamicia Connor

The Daily Whatever Show — Sat, 23 May 2026 00:51:30 GMT

Fine Feminist Hour with turned into one of the most urgent conversations we’ve had yet about reproductive healthcare, feminism, birth worker shortages, and the increasingly dangerous reality facing women in America.

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Dr. Connor — an OBGYN, engineer, founder, mother of three, and one of those people who makes you immediately wonder how she manages to fit more than 48 hours into a day — laid out the looming maternal healthcare crisis in terrifyingly concrete terms.

Thousands of OBGYNs are expected to leave the profession in the next few years. Rural hospitals are losing labor and delivery units. Emergency rooms are performing emergency C-sections without OB coverage.

Entire states are approaching catastrophic shortages of reproductive healthcare providers.

We knew it was bleak. I’m not sure I realized it was this bleak.

We also talked about Dr. Oz’s “under-babied” comments and why so many women reacted viscerally to them. Because the contradiction is impossible to ignore: politicians are simultaneously pressuring women to have more children while dismantling healthcare, Medicaid, childcare support, reproductive freedom, and the basic infrastructure required to safely raise families.

One of the most striking parts of the conversation was Dr. Connor’s framing that what we’re witnessing is not random policy chaos, but a coherent ideological project around power, dependency, race, gender, and control. She described modern attacks on reproductive rights as part of a larger “Manufactured Healthcare Crisis” to make women economically and physically dependent again — and called misogyny “impotence at scale,” which may be one of the sharpest phrases I’ve heard all year.

We also talked about feminism, motherhood, pumping breast milk between surgeries, raising daughters in a world increasingly hostile to female autonomy, and the emotional exhaustion of trying to protect young women while watching hard-won rights begin to erode in real time.

A furious, brilliant, deeply clarifying conversation.

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The Daily Whatever Show with Anne P. Mitchell, Esq.

The Daily Whatever Show — Thu, 21 May 2026 01:07:43 GMT

TDWS with —official legal correspondent for the show—turned into a candid conversation about platform instability, creator burnout, tech monopolies, legal chaos, and the increasingly strange reality of trying to build independent media on platforms that can change the rules overnight.

We opened with a long conversation about Substack’s recent live-streaming changes and why so many creators are alarmed by them. I talked pretty openly about what it felt like to lose the business and audience ecosystem I’d built on Medium after algorithm changes in early 2025 — and why my nervous system immediately recognized the same warning signs happening now on Substack. The larger conversation became less about one platform and more about the vulnerability of creators whose work, audiences, and livelihoods exist inside systems they ultimately don’t control.

Anne brought exactly the perspective I hoped she would: smart, grounded, legally precise, but also deeply human about all of it. She talked about how every internet platform ultimately treats creators as “the product,” why investor pressure changes company behavior, and why there may never be a perfect online home for independent media.

From there, the conversation spiraled into one of Anne’s signature legal deep dives around Trump, the IRS lawsuit dismissal, the so-called “anti-weaponization fund,” and what she believes are major procedural irregularities that could make the entire arrangement legally vulnerable. Watching Anne unpack complicated legal timelines in real time remains one of my favorite things on the internet.

We also covered YouTube censorship, stream keys, old-school internet culture, CompuServe nostalgia, platform polyamory, future blue-wave fantasies, Thomas Massie possibly becoming politically “liberated,” and whether AOC already sounds like a future president.

And naturally, somewhere in the middle of all that, Lawrence spontaneously invented a fake 1940s gay show tune called “If You Know Randall’s Handle.”

Tune into the final minutes of the show to hear it.

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The People Demanding More Babies Won’t Protect the Ones Already Here

Lawrence Winnerman — Wed, 20 May 2026 03:15:24 GMT

joined TDWS for an emotionally layered conversation about evangelicalism, motherhood, reproductive rights, queer kids, and what happens when women finally start questioning the systems that raised them.

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Tiffany talked about growing up deeply evangelical in Texas and the profound rupture that happened when so many Christians aligned themselves with Donald Trump. What stayed with me most was her description of leaving evangelicalism not as a political shift, but as an existential crisis. When your church is also your family, your friendships, your support system, your childcare, your social life, and your entire worldview, questioning it can mean losing almost everything at once.

We also spent a long time unpacking Dr. Oz’s horrifying phrase that America is “under-babied,” and why that rhetoric hit so many women viscerally. Tiffany connected it back to evangelical messaging around “be fruitful and multiply,” while we talked about the broader reality: women are being pressured to have more children while simultaneously losing healthcare, reproductive freedom, childcare support, financial stability, and basic bodily autonomy.

The conversation got especially emotional when we talked about queer and trans kids, including the recent murder of Juniper Blessing, a trans student at the University of Washington, and the growing fear many parents feel watching anti-trans rhetoric escalate nationally. One of the clearest threads running underneath the whole show was this: the people demanding more babies often seem deeply unwilling to protect the vulnerable children already here.

And somehow, despite the heaviness of all of that, the conversation still managed to include jokes about grapes, trad wives, abortion tourism in Montana, and Lawrence volunteering as tribute for The Handmaid’s Tale.

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Maybe the Weird Girls Win After All

The Daily Whatever Show — Fri, 15 May 2026 06:14:48 GMT

Today’s Fine Feminist Hour with covered fascism, AI, beauty culture, dementia, liberal arts education, the manosphere, vaginal microbiomes, Gen Z boys, authenticity, and whether weirdness might actually become humanity’s competitive advantage.

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Carlyn and I started by talking about feminism in 2026 and immediately landed in a much bigger conversation about loneliness, disenfranchised young men, and the danger of leaving entire generations vulnerable to the manosphere pipeline. We talked about the “looksmaxxing” movement, young men literally micro-fracturing their jawbones for masculinity, and the terrifying rise of influencers like Clavicular, who now somehow have the attention of people at the highest levels of politics.

From there, we wandered into beauty culture, Instagram face, and the growing exhaustion of living inside algorithmic femininity. Carlyn made the fascinating point that culture may eventually swing back toward distinctive, imperfect, deeply human faces simply because sameness eventually becomes boring.

I think she’s right. I hope she is, at least.

We spent a long stretch talking about AI—not as a replacement for writers, but as a thinking companion, brainstorming tool, research assistant, and sometimes adversary. Carlyn compared AI to tarot cards: less a fortune teller than a reflective surface that helps reveal patterns and subconscious connections. It was one of the smartest conversations about creative AI use I’ve had publicly.

We also talked about something I’ve been thinking about constantly lately: whether the future belongs not to hyper-specialists, but to people with wide-ranging curiosity and interdisciplinary thinking. Carlyn argued that AI may actually reward Renaissance-style generalists — people who can connect ideas across history, psychology, politics, science, art, and culture in uniquely human ways. As a fellow Gen X multi-hyphenate, I found that oddly comforting.

And then we got into the darker stuff.

Trump’s cognitive decline. The congressional record now containing statements from 36 physicians raising alarms about his fitness. What authoritarian collapse actually looks like historically. The moral exhaustion of modern America. The difference between democracy dying dramatically versus slowly through paperwork and normalization.

But maybe the most unexpectedly moving part of the conversation was the quieter parenting thread running underneath all of it.

Both Carlyn and I are raising daughters who are about to leave home and enter a profoundly unstable world. And beneath all the talk about AI and fascism and beauty culture was a much more human question:

How do you raise kids to remain authentic in a world constantly trying to optimize, monetize, manipulate, and flatten them?

We had a deeply smart, weird, funny, unsettling conversation in the best possible way.

Thank you , , , , , and many others for tuning in, and to the wonderful and for moderating.

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TDWS: with Geezer Magazine

The Daily Whatever Show — Thu, 14 May 2026 22:17:51 GMT

Speaking with @Geezer Magazine founders and felt less like an interview and more like accidentally discovering the exact same people living parallel GenX lives somewhere else in America.

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We talked about midlife reinvention, ageism in tech, menopause, independent publishing, nostalgia, burnout, creativity, sibling dynamics, music obsession, and the strange realization that many GenXers are simultaneously exhausted and creatively exploding at the exact same time.

Laura and Paul created Geezer as a giant analog print magazine for GenX (think part Interview, part McSweeney’s, part Mad Magazine) as a reaction against digital overload and the flattening way our generation keeps getting discussed online. The conversation kept circling back to the same core idea: many of us spent decades building careers that paid the bills while quietly putting our creative lives on hold. And now, somewhere in late midlife, a lot of people are trying to reclaim those parts of themselves before it’s too late.

We also got into the realities of aging in tech, the mythology around GenX nostalgia, why so many creatives still need “real jobs,” the economics of independent publishing, and whether any of us are emotionally prepared to become the people AARP thinks we are. Spoiler: absolutely not.

Also discussed: Nick Cave, The Smiths vs. The Cure, Heavy Metal Parking Lot, Red Hot Chili Peppers slander, pool-skating Dogtown legends, and the deeply GenX instinct to keep making art while quietly wondering how the hell to pay for it.

You can subscribe to Geezer magazine here, and don’t forget to use promo code FRIEND15 to get a 15% discount!

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TDWS: with "Widow in the City" author Amy Gabrielle

Dana DuBois — Wed, 13 May 2026 01:24:40 GMT

Today’s TDWS with author started with grief and somehow wound its way through widowhood, dating apps, feminism, sexual reinvention, OnlyFans, Substack community, and what it means to rebuild a self after the life you expected disappears.

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Amy joined us to talk about her memoir Widow in the City — a very GenX story about losing her husband, trying to survive early grief, and then throwing herself headfirst into dating, sex, fantasy, and self-discovery in midlife New York.

What stayed with us most was the way she talked about grief not as a clean, linear process, but as something strange and contradictory. Sometimes dissociative. Sometimes liberating. Sometimes deeply funny. Sometimes devastating.

We also got into dating app rhetoric, the Burned Haystack Dating Method, the politics of female sexuality, online community, GenX feminism, and the increasingly blurry line between intimacy and performance on the internet.

Thank you , , , , , and many others for tuning in, and to and for moderating with moxie.

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Kait Justice Is Connecting Dots Most Media Won’t Touch

Dana DuBois — Thu, 07 May 2026 22:57:40 GMT

Today’s Fine Feminist Hour with independent journalist felt like one of those conversations where your brain keeps trying to catch up with what you’re hearing.

We started with feminism: what it actually means, why the word has been so intentionally distorted, and why reclaiming it matters right now. Kait put it simply: feminism is the belief that women deserve equal rights. Full stop.

From there, we got into how she became one of the most compelling independent voices digging through the Epstein files on Substack.

And her origin story is pure internet-era investigative journalism.

A curiosity spiral that started with Donald Barr, Jeffrey Epstein, and a bizarre 1973 sci-fi novel somehow led her into uncovering deeper patterns involving billionaires, intelligence networks, Saudi money, survivor advocacy, and the broader systems protecting powerful people.

You can read more about it in her latest essay:

Downwind of Truth with Kait Justice

Is The Architecture Epstein Designed What Kushner Now Runs? THE RED STRING BOARD

What I have publishes, especially over the past 6 weeks or so, has been pretty dense with so many pieces to the…

2 months ago · 502 likes · 21 comments · Kait Justice

What struck me most wasn’t just the reporting—it was the way Kait talks about it. She’s not coming from legacy media. She comes from marketing, blogging, curiosity, and a relentless instinct for pattern recognition. And I think that’s part of why her work resonates with so many people right now.

We also talked about the strange and beautiful ecosystem developing on Substack itself: career journalists, accidental journalists, creative writers, researchers, and deeply curious people all building something in public together.

And underneath all of it was the same thread we come back to so often on TDWS: Who controls the narrative controls culture. And culture moves politics.

Thank you , , , , , and many others for tuning in, with special thanks to our amazing moderators, and .

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The Night We Got to Thank Jane Pratt

The Daily Whatever Show — Thu, 07 May 2026 17:48:54 GMT

You guys. We did it.

Tonight on we hosted GenX icon —of Sassy, Jane, xoJane, and now . The woman whose magazines told a generation of weirdos, queer kids, music nerds, and isolated red-state teenagers that they were not, in fact, alone. That Jane Pratt.

I shot my shot months ago—I sent her an invitation to the show, expecting the void—and to my astonishment, she wrote right back. We then proceeded to play email tag for months while I was just amazed I had Jane Pratt’s email address. But I persisted. Tonight we finally did it, and I’m still a little spun.

Getting to meet a hero is rare. Getting to thank a hero is rarer. Tonight we got both.

What unfolded over the next hour was part oral history, part reunion, part love letter to the weird girls, outsider kids, queer teens, music obsessives, and future writers who found themselves inside the pages of Sassy and Jane when almost nothing else reflected them back accurately.

Lawrence told a story about secretly reading Sassy as a closeted teenager because it was one of the first places he’d ever seen gay kids portrayed as just… normal people. Jane got emotional hearing what that meant to him. Honestly, a lot of us did.

Then the stories just kept coming.

talked about hiding copies of Sassy from her evangelical parents because the magazine became a lifeline while she was growing up depressed inside purity-culture America. talked about how an R.E.M. story in Sassy changed the trajectory of her life and ultimately helped spark Three Imaginary Girls (the indie-pop music website we launched in 2002). I talked about reading Jane in my twenties and realizing, for the first time, that weird women with voices and opinions could build culture instead of just consuming it.

And through all of it, Jane kept returning to the same core idea: she wanted people to feel less alone than she had at fifteen. That was the mission. Everything else came from there.

Then—because we all love some serious tea 🫖—Jane casually mentioned she dated Michael Stipe for many, many, many years. WHOA NOW WHAT??! The chat broke. We hosts visibly recalibrated entire Gen X childhoods in real time. Lawrence: y'all kept that secret? That's cool. (Yes she did. For years.)

It was funny, emotional, deeply GenX, and one of my favorite conversations we’ve had on .

Not because it was nostalgic.

But because it reminded us all that being seen at the right moment can change the course of a life. And changing the course of a generation of lives? Why, that can move the world.

We’re all living proof of it.

And while we have you here—go order a retro Sassy t-shirt! Proceeds go to Planned Parenthood, so you’re not just rocking your Sassy boobs. You’re helping to support a cause that’s more vital today than ever.

We adore you, .

You’re welcome on always and forever.

xoDana
xoLawrence

Thank you , , , , , , , and many others for tuning in. Special thanks to and for being such amazing moderators—especially when the chat pops off as hard as it did last night.

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The Daily Whatever Show With Guest The Broom Closet Briefing

The Daily Whatever Show — Wed, 06 May 2026 04:52:31 GMT

Today’s show started with lipstick checks, a beanie crisis, and Substack doing what Substack does best: making a live show harder than it needs to be.

And then we got into it.

I talked about where my head is right now—college decisions, writing very large checks, and the quiet reality of launching a kid into a world I don’t fully trust. That thread ran underneath more of the conversation than I expected.

Then Broom from joined us, and the show shifted.

We got into her backstory—growing up across multiple religious systems, teaching herself tarot, building a practice that blends tarot, Lenormand, astrology—and why she’s chosen anonymity after being very specifically targeted online.

From there, it opened up into something bigger: how people have always used divination to understand power and politics, and how she reads current events through that lens.

Her take on what’s coming wasn’t apocalyptic—it was evolutionary. Disruption, yes. Pressure, yes. But also a push toward something different, especially around energy, power, and how systems change when they’re pushed to the edge.

And then we got practical.

2026 elections: a high turnout, heavily watched, a shift in the House. Not a fantasy fix-everything moment—but movement.

It was one of those conversations that sits at the intersection of intuition and analysis, belief and reality—and somehow makes you think about all of it a little differently.

At the end, asked her to pull cards for our show. Child, dog, fish, stork, flowers: start something new with loyal, well-resourced friends, expect surprising climbs in audience. This all makes perfect sense to us. We'll report back…

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TDWS: Fine Feminist Hour with Author, Podcaster & Comedian Courtney Kocak

The Daily Whatever Show — Fri, 01 May 2026 00:19:42 GMT

This Fine Feminist Hour brought to TDWS— writer, memoirist, comedian, podcaster, and the kind of multi-hyphenate who makes the rest of us feel like we need to get busier.

Her debut memoir Girl Gone Wild is an unwitting feminist coming-of-age story, from small-town Minnesota to LA at 21, broke and newly arrived, taking a job selling merch on the “Girls Gone Wild” tour because the Craigslist post said “party and get paid to travel.” She figured it out pretty quickly. The most insidious part of the job, as the company told her in the interview: her actual role was to make the other women feel comfortable enough to be exploited. Just having a girl there.

From there we got into how shame shapes memory, writing your way out of what you’ve suppressed, and why the discomfort toward a topic is almost always a sign you should write about it. Courtney is a free speech maximalist — yes, even on Tate — and we got into that with the chat, who had opinions. The conversation on abortion was sharp: we lost the right partly because we softened the language, and Courtney doesn’t soften the language.

Courtney also interviewed me for her Private Parts Unknown last week, so we’re basically best friends now. Seriously, that talk was amazing and I can’t wait to hear the results. She said the show should be live in about two weeks, and you know I’ll be sure to share it.

Most def go buy Courtney’s book here: Girl Gone Wild

Thank you , , , , , and many others for tuning in. and , you’re the moderators with the most, and we’re so grateful—extra thanks to you.

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TDWS: with Guest Sari Botton of Oldster Magazine

The Daily Whatever Show — Wed, 29 Apr 2026 00:34:37 GMT

Today’s The Daily Whatever Show felt like a masterclass in memoir, aging, and what it actually takes to build a life in writing.

We were joined by , founder of and , and the conversation went wide in scope as we discussed craft, career, and the long game.

She talked about “literary citizenship”—the idea that you spend years supporting other writers, building community, and waiting your turn, while also doing the work to be ready when that turn comes.

And maybe the line that stuck the hardest: when she follows her curiosity, she succeeds. Not overnight. Not by accident. But over decades of showing up.

It was honest, generous, and quietly galvanizing, the kind of conversation that reminds you why you keep making things, even when no one’s watching—yet.

Thank you , , , , and many others for tuning in—with special thanks to our amazing moderators and .

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